Saxophone Mouthpieces
We are very proud to offer the latest in high quality Saxophone Mouthpieces for the discrimination Classical and Jazz Artist. These mouthpieces are available for the entire Saxophone family.

LOMAX CLASSIC
A new design that produces a larger, darker, and warmer sound than has been available. Available in three facings, (med. close) 1.55, (med.) 1.65, (med. open) 1.75.

NEW YORK JAZZ
These mouthpieces are patterned after the old New York Meyer Mouthpieces, only have more presence of sound, and richer overtones. Great for many jazz styles including BeBob and Big Band. Available in five facings: 5m, 6m, 7m, 8m, and 9m.

L.A. Studio
Patterned after the popular old mouthpieces used by the west coast studio musicians of the fifties and sixties. Available in: 5m, 6m, 7m, and 8m.

New Classic "C" Series mouthpieces
With the rising cost of the very popular Selmer S-80 saxophone mouthpieces we have had some dealers and individuals asking us to offer a handcrafted alternative. Our new "C" series mouthpieces have the same style "square" throat walls as the Selmer mouthpieces. We think the sound is even richer and the price is less than a mass produced piece! Available in two popular facings, the C+ and C++, for both alto and tenor sax.

New Classic "D" Series mouthpieces
This is our darkest and richest sounding mouthpiece for classical and concert band playing. This mouthpiece features a "half round" chamber wall and is available in two facings. The "D" and "D+", for alto sax only.

"I use and endorse Lomax Classic's New York Jazz model alto saxophone mouthpiece. My custom Lomax mouthpiece is a #9 (Serial No: 1654) and I personally selected this one after playing several of Mike's meticulously hand-made pieces. I have been actively performing professionally in a variety of musical contexts for three decades. Beyond establishing a formidable technique, what distinguishes jazz saxophonists from the rest of the pack is the ability to truly capture their own unique artistic voice that is primarily based upon their own unique tone quality and unique individual sound. All of the jazz greats were able to do this. Therefore, my artistic approach to jazz artistry realizes a diversity of inherent demands from a mouthpiece. Of utmost importance to my music in this regard, is that a mouthpiece facilitates achieving the most natural sound possible, impeccable intonation in all registers of the instrument, a quick full-bodied tonal response to a variety of articulation choices, and a free blowing immediate response at all dynamic levels. My Lomax Classic New York Jazz mouthpiece fulfills these artistic concerns and I also have discovered that finding good reeds is less of a hassle with this piece."

-Chris Burnett, Jazz Artist, Clinician and Composer, Kansas City USA